Tag: evenodd

  • Noo-Noo Reveals the Shocking Truth Behind the Teletubbies Split!

    Noo-Noo Reveals the Shocking Truth Behind the Teletubbies Split!

    Yo, the Teletubbies Cleaning Comedy

    Picture this: the spotlight hits the tiny, pastel‑colored world of the Teletubbies, and rumor mills start churning. The “big news” that the lovable quartet split up is now a headline. And who’s the sneaky source of the juicy gossip? None other than their own mop‑person: the ever‑clean Noo‑Noo.

    Noo‑Noo’s Instagram Spotlight

    Noo‑Noo, who’s been tidying up the tubs for years, got a microphone on the TeletubbiesUniverse Instagram account. He posted a sideways‑wink throw‑down that has everyone buzzing:

    • “Real talk, Tinky, Laa‑Laa, Dipsy, and Po—your drama’s icky, and it’s time you scrub it off the past!”
    • “All the backstage secrets were in my vacuum—now it’s time to blow ’em out.”
    • “Who knew a mop could drop more tea than a toddler?”

    Teams Currently Reeling

    We’ve already reached out to the legal folks behind each tubs, hoping to clear the air. So far, the responses are silent silence. If you’re wondering whether there’s a secret handshake or a holographic episode that’s been lost in the dust, stay tuned; Noo‑Noo might keep the carpet clean—and the drama hot—until the next update.

    What’s Next?
    • More dirt‑bunching from our mop‑hero
    • Official statements from Tinky, Laa‑Laa, Dipsy, and Po
    • Full scoop once the court closes the hatch on the tubs’ breakup

    Until then, we’ll be juggling the smell of fresh laundry with the scent of spilled tea. Stay tuned for the latest gossip before you can even say “Cray‑y‑to‑the‑core.”

  • The Velvet Sundown Explained: Unveiling the Storm Behind Spotify-Verified AI Band Controversy

    The Velvet Sundown: A Tale of Fake AI and Spotify’s Sneaky Side

    Picture this: a hard‑rock band that claims its music is churned out by machines, yet in reality, it’s all humans. That’s the wild story of The Velvet Sundown, a band that leveraged a face‑hugging “AI” narrative to get headlines, fans, and—shockingly—a chance to dodge the usual royalties that Spotify should’ve been paying them. The saga didn’t just prank everyone; it also blew a lid off what many suspected was Spotify’s secret, royalty‑free playbook.

    The Fantasy of AI‑Generated Rock

    • In 2023, The Velvet Sundown hit the internet with a slick video explaining how their “AI‑driven” guitar riffs were born from neural networks.
    • Fans were hyped, skeptics were laughing, and marketing teams were scrambling to build buzz around the supposed technological breakthrough.
    • All of it was an elaborate ruse—humans wrote the songs, but the band staged the AI claim as a marketing gimmick.

    Why Pretend to Be AI?

    Because it’s money, baby. The band’s marketing was borrowing the very buzz that would normally come with pioneering AI tech. They used the “AI” angle to:

    • Generate viral attention from media outlets craving the newest tech story.
    • Gain free licensing from platforms that often lower royalty costs for so‑called “AI content.”
    • Boost stream numbers on Spotify by riding the wave of the generative AI hype.

    Spotify’s Suspected Playbook (or how they tried to keep the cash flowing)

    Spotify, the digital music giant, has long faced criticism for its royalty payments—some say royalties are too low for artists. The Velvet Sundown case highlights how the company might have been capitalizing on collective confusion:

    • Claimed AI technology> could be exempt from standard royalty floors.
    • Limited reporting> on whether the tracks were truly machine‑generated or human‑crafted.
    • Exploiting loopholes> that let indie groups like The Velvet Sundown slip under the radar and play millions of streams without paying the due digital fees.

    Why Generative AI Feels So Dangerous

    When the line between real and AI-generated content blurs, it turns the entire consumer‑rights and royalty‑payment ecosystem into a muddle. spotify’s blissful ignorance?

    • Artwork and licensing becomes responsibly ambiguous.
    • Artists lose control over their royalties at the click of a button.
    • It underlines public fear: “So who can trust the love‑fest of AI?”

    The Takeaway for Fans, Artists, and Tech‑Too‑Trust‑Non‑No‑One

    What does this mean for the music scene?

    • Artists should be extra cautious of how they frame their creative processes.
    • Fans should demand transparency about who’s behind the tracks.
    • The tech industry needs a solid legal framework to avoid “AI” being a loophole for underpayment.

    In sum, The Velvet Sundown’s faux‑AI tricks might seem a marketing stunt, but it opened Pandora’s box for piracy, royalty scuttling, and a chorus of skepticism. The fallout urges Spotify, and every streaming service, to tighten the reins on AI claims and ensure artists truly get the penny (and half‑penny) they deserve.

    Who’s the New Sonic Sensation on Spotify?

    Ever stumbled upon a band that’s suddenly the talk of the town? The Velvet Sundown is doing just that—amassing over a million monthly listeners in less than two months. Talk about a meteoric launch!

    Two Albums, One Outrageous Group

    • Floating On Echoes – dropped 5th June
    • Dust And Silence – dropped 20th June

    That’s two whole albums before anyone even knows they’re a thing! The quartet’s psych-rock stylings currently live under the “Verified Artist” badge, a badge reserved for greats.

    Next Up: “Paper Sun Rebellion”

    New tunes are on the horizon. Their cinematic alt‑pop and dreamy analogue soul collection is set to hit the airwaves on 14 July.

    Band Members—Because Names Matter
    • Gabe Farrow – “mellotron sorcerer” and the voice behind the melody
    • Lennie West – the guitar wizard whose riffs feel like a dynamic wind
    • Milo Rains – the “bassist‑synth alchemist” who turns basslines into sonic gold
    • Orion “Rio” Del Mar – the free‑spirited percussionist who throws beats like confetti

    One might imagine the crew gasping at their sudden popularity, but—spoiler alert—they’re not human folks at all. The Velvet Sundown is a fictional concept band that has somehow turned a viral trend into an actual music sensation. How’s that for a twist?

    What fresh hell is this?

    The Velvet Sundown

    Is The Velvet Sundown Just a Faked‑In‑a‑Jail Song Machine?

    Picture this: you open your Discover Weekly, expect a mix of new hits, and suddenly—bam!—every track on your list is a brand‑new tune from The Velvet Sundown. Curious? You Google it. What pops up? A whirlwind of questions. Is the band legit? Did someone actually write those lyrics? Quick sanity check: the songs sound… a tad bland, and the lines “Boots in the mud, sky burning red … Radio hums while the silence screams” read like a grocery list for a sleepy summer night.

    Reddit Gets Stumped

    Reddit users started digging into the background, and the band’s Instagram account—launched late June—quickly raised another set of eyebrows. The photos are drenched in a yellow hue, and the band members pose like “trust‑fund kids who refuse to work for their dad’s company.” That’s not music franchising; that’s a “cookie‑cutter hipster” vibe that’s borderline creative refuse.

    Spotify’s “Verified Artist” Bong‑Bong

    On Spotify, the band’s bio reads:

    “There’s something quietly spellbinding about The Velvet Sundown. You don’t just listen to them, you drift into them. Their music doesn’t shout for your attention; it seeps in slowly, like a scent that suddenly takes you back somewhere you didn’t expect.”

    Sounded pretty dramatic, right? But if you’re getting melancholy folding back in your spleen—thinking maybe you’re too sensitive—just remember that’s not the vibe The Velvet Sundown wants for themselves.

    Defense on X: “The Real Band Not The AI Band”

    Facing a wave of critics, the band responded on their X account with the tag Velvet Sundown – The Real Band Not The AI Band:

    • “Absolutely crazy that so‑called ‘journalists’ keep pushing the lazy, baseless theory that The Velvet Sundown is ‘AI‑generated’ with zero evidence.”
    • “Not a single one of these ‘writers’ has reached out, visited a show, or listened beyond the Spotify algorithm.”

    They doubled down: “This is not a joke. This is our music, written in long, sweaty nights in a cramped bungalow in California with real instruments, real minds, and real soul. Every chord, every lyric, every mistake – HUMAN.”

    What X Says on Their Bio

    “Just A Bunch of Very Real Dudes In A Totally Real Band Keeping It Extremely Real! No, We Never Use AI!”

    Is the over‑performance the problem? Or is it the hints that AI was involved? The jury’s still handing out verdicts.

    Spotify’s Silent Stance

    Spotify, which happily accepts AI‑generated music without disclosure, didn’t answer any comment requests. Meanwhile, a rival platform, Deezer, didn’t wait long to flag the band’s album Dust And Silence as “100% generated by AI.”

    Deezer’s press release was clear:

    “In order to protect artists’ remuneration and guarantee an optimal user experience, Deezer currently excludes 100% AI tracks from its algorithmic and editorial recommendations.”

    They also dropped a scary stat: nearly 20% of music uploaded to their platform is artificial. That’s nearly double the amount in just three months. Predictable, right? The problem’s only going to grow.

    In Summary

    • Reddit & Spotify flags raise eyebrows.
    • The band screams “real,” but evidence seems shaky.
    • Deezer calls out AI, hinting at a future where music may be a ghost‑writer’s playground.

    So next time a playlist flips, ask yourself: is that Velvet Sundown truly laying down some guitars or just plugging in a pre‑synthesised dream? Keep those headphones on, because the line between real & synthetic is getting blurrier—and a lot more humor is required.

    Then, the “Extremely Real” jig was up

    The Velvet Sundown

    The Velvet Sundown: A New Twist in the Music World

    Swedish
    Proverb
    meets modern tech: “What’s hidden in the snow will surface when it thaws.”
    That’s the vibe the band’s fresh Spotify bio is shouting out loud.

    Full‑Scale Confession

    First, the big reveal: The Velvet Sundown is a synthetic music project that’s guided by human imagination, but the heavy lifting—writing, producing, even sounding like a genuine artist—is all AI‑powered.

    They’ve dropped the “listening event” and gone straight to the heart‑to‑heart honesty:

    “This isn’t a trick – it’s a mirror. An ongoing artistic provocation designed to challenge the boundaries of authorship, identity, and the future of music itself in the age of AI.”

    What Exactly Was Generated?

    • Characters and stories
    • Music tracks–including those haunting synth lines and dreamy vocal loops
    • Voices that sound strikingly human
    • Lyrics that flow like emotions, all crafted by AI tools

    They add a cautious note: “Any resemblance to actual places, events or persons – living or deceased – is purely coincidental and unintentional.” So while you might recognize a vibe from a real world setting, it’s more of a creative coincidence.

    Where Do They Stumble?

    They wrap it up with a subtle philosophical note: “Not quite human. Not quite machine. The Velvet Sundown lives somewhere in between.”

    And a quick heads‑up from their X (formerly Twitter) post: “They said we weren’t real. Maybe you’re not real either.” – because if even the band’s truth can be a bit fuzzy, who’s to say real isn’t a bit fuzzy?

    The Big Takeaway

    What’s happening? The band is blasting the boundaries of what it means to create art. Their tale is a flirtation with the idea that AI and humans can co‑author stories that feel almost autobiographical, yet come from a machine. It’s a conversation about authenticity, creativity, and the new digital age.

    So next time you press play on a Velvet Sundown track, remember: the melody might be computer‑born, but the feelings are human‑like, and that’s the future.

    No laughing matter

    AI is Surfing the Music Scene – And Not All Waves are Safe

    What started as a cool Insta‑post by The Velvet Sundown ended up sounding like a manifesto on how we might ditch the soul of creativity for a quick, AI‑generated hit.

    The “Easy‑Fix” of Gone‑Wrong Artistry

    • Picture this: a band telling us “let’s skip the hard part of making music and just slap on some AI tracks.”
    • In other words, ditch the emotional grind, go straight to the pay‑check.
    • Nick Cave himself has taken the AI on a “grail of ghosts.” He’s calling out the industry’s new shortcut.

    Ghost Artists, Real Pain – Spotify’s Big Move

    • Last December, a spoiler in Harper’s Magazine claimed Spotify is embedding “phantom artists”—basically AI‑brewed copies—to cut royalty payouts.
    • Liz Pelly’s book Mood Machine dives into how Spotify smuggles these faux acts into playlists mainstream audiences love.
    • With Spotify’s “optimization”, the real craftspeople get a smaller slice of the pie, while the platform keeps cash flowing.

    Hard Numbers, Harder Reality

    Studies Thursday showed the potential impact:

    • Without a policy intervention, artists might lose over 20 % of their income to AI‑generated tracks in the next four years.
    • In contrast, AI developers could see a surge from €0.1 bn in 2023 to a whopping €4 bn by 2028.
    • These figures come from a global economic study done by the International Confederation of Societies of Authors and Composers (CISAC), the first to spotlight AI’s touch on human creativity.

    Artists Throwing Their Voices in the Air

    • From the legendary Nick Cave to the iconic Paul McCartney, the line‑up doesn’t stop – Elton John, Radiohead, Dua Lipa, Kate Bush, Robbie Williams… all shouting for a UK copyright overhaul.
    • They’re demanding that laws step in to protect creators from a future where a computer can string chords faster than a human hand.
    • So far, buttion still finds the industry’s “AI wages” shadows.

    In short: The AI wave might look thrilling, but it’s a storm that could drown the beat of those who’ve spent a lifetime perfecting their craft. Let’s keep the soundtrack human.

    Parting words to the band and its overlords

    From a “so‑called journalist” to the Velvet Sundown and Spotify

    Imagine a band that thinks a deck of algorithmic chips can beat a real song. Eureka? Nope—unless you’re a tech bro chasing high‑flying profits.

    The Big Picture

    This synthetic music project seems less like art and more like a cash‑cow. It’s the reminder that reality‑check can be lost when tech bros convert the music “creative process” into a line of code.

    Spotify: The Spin Doctor

    Daniel Ek claimed Spotify doesn’t download, create, or upload content—AI or otherwise.

    But the listening surface still harbors “AI‑music” feeds, just to swirl money back into the tech jugular.

    Why This Feels Out of Touch

    • Listeners fret over the swaddling blanket of AI‑generated songs.
    • Artists say their craft shouldn’t be reduced to algorithmic beat‑hubs.
    • Dramas happen when tech overlords feel out of tune with the rhythm of human concerns.

    What the Solution Looks Like

    Transparency is the key: disclose when tracks are born from code so fans can weigh whether the vibe suits them.

    The Velvet Sundown’s Shortcoming

    The experiment only shows that where there’s music there can be no evil turns out to be a myth—especially if that music is churned out by an algorithm with no emotions.

    Spotify’s Response

    “We don’t get a purse‑string that rewards tracks made by AI tools. Every song on our platform is created, owned, and uploaded by licensed third parties,” the company says.

    Final Take

    Want to keep your ears honest and your head actually listening? Demand real, human‑crafted music. After all, richer music means fewer rickety AI‑generated beats hunting for your playlist.

  • Life of a Showgirl: Why Taylor Swift’s Next Album Deserves More Focus

    Taylor Swift Stages a Comeback—and This Time She’s All About Focus

    Why the Music Queen Didn’t Take a Pause

    • Album streak in the books. She’s dropped clutch albums almost every year—no breaks, no downtime.
    • Tour records shattered. Sales exploded on a world‑super‑tour that left venues red‑hot and tickets still snatched up.
    • Instead of slacking off, she’s cracked out a new single that’s reportedly “more focused”—a promise of tighter storytelling and less fluff.

    What “Focused” Might Mean for Her Fans

    • Sharper lyrical hooks that hit harder.
    • Richer production—every beat matters.
    • A plot that keeps listeners hungry for the next verse.
    Takeaway: The Daisy Duke is Still in the House

    She’s already twice as busy as a busy bee. But if this new track lives up to the hype, fans will be grabbing their phones, recording every chorus, and no doubt, singing it at the top of their lungs – all in a single, incredibly focused note.

    Ever Wonder How Long a Swiftie Can Bare Without Her Daily Swift Dose?

    Honestly, we might never get a concrete answer—because in the past decade, every single week has been peppered with Taylor Swift vibes. From album drops to interview catch‑ups, it’s a non‑stop noise‑party.

    The plot twist arrived just three days ago when Taylor – the queen of surprise – announced her 12th studio masterpiece, The Life of a Showgirl. The very next day she hopped onto the “New Heights” podcast, hosted by her boyfriend Travis Kelce and his brother Jason, and unfolded all the juicy details.

    First Impressions (And My Fairly Skeptical Response)

    At first, I was like, “Hold up, 12th album? Am I even ready for another one?” I’d barely recovered from the colossal The Tortured Poets Department and the endless energy of the Eras Tour. The thought of jumping straight into a fresh era felt like a math test right after a brain‑shredding workout.

    One Album Every Year – Because Why Not?

    Since Lover dropped in 2019, there’s never been a year without a Taylor Swift release. Whether it’s brand‑new originals or re‑recorded classics, the pop star seems to be on an ever‑spinning music‑delivery treadmill.

    • Great Moments: The 2021 re‑release of All Too Well (10‑Minute Version) was a main‑stage fireworks showcase, delighting fans until the last lyric. I even sang the whole track on the first night of the Eras Tour in Paris without missing a beat – a proud achievement for any Swiftie.
    • Too Many Tracks: Meanwhile, The Tortured Poets Department—with its 140‑minute runtime and 35 songs—felt like a dense data dump of everything I thought or felt over a couple of years. Half of those tracks now live in the deep‑deep corner of my memory.

    After a Decade‑Long Tour – Is It Time for a Respite?

    After wrapping up her record‑breaking Eras Tour in December 2024 (149 shows, nearly two years), there was a window that could’ve been a breathing room. I imagined Taylor might pivot to her film‑directing debut announced back in 2022, or at the very least, take a step back from some of the more “comfortable” patterns in her creative process.

    But who can lie? The artist’s craft and hype level have evolved to a point where even her latest work feels like a well‑tuned autopilot. So here we stand—no more “intermission” and a brand new album on the horizon—ready to ride the cliffhanger of excitement again.

    Taylor Swift performs at Wembley Stadium as part of her Eras Tour on 21 June 2024 in London

    Taylor Swift Rocks Wembley and Drops a New Album Preview

    On June 21, 2024, the Queen of Pop graced London’s iconic Wembley Stadium, turning the Eras Tour into a full‑scale fireworks show. The crowd didn’t just shout; they sang along, because who can resist a Swift sing‑along?

    From “Midnights” to “The Tortured Poets Department”: A Sound Check

    Without Jack Antonoff’s genius backing, some of Taylor’s recent tracks felt a little… underwhelming. Sure, she’s a lyric whiz, but a playlist that leans heavily on underdog and revenge tropes can start to feel a bit like a self‑paper, if you’re watching from the outside. If the raw magic of her first‑hand authenticity isn’t available, you get… well, the full truth. But let’s be real: it’s not like she’s letting fans drown in this.

    Hard Work Saturday Party

    What the music world might not know—Taylor is a walking, talking creative machine. She writes, produces, directs, and even designs her visual brand. Forget the “Easter eggs”; they’re happening every single year, and the fans have to keep up. And she’s got that sweet freedom she’d long wanted, thanks to winning back those master recordings.

    Album Alerts!

    Her newest project, “The Life of a Showgirl.” is graced with a clean, lean tracklist—12 songs, no bonus tracks. She described it as “focused” and “just right.” Rumor says she’s avoiding the pattern of dropping an album every six months. Instead, she’s aiming for a master‑class of quality without the splurge of too many releases.

    “I love writing tons of music. It’s tempting to drop a lot, but I wanted this record to be super focused on quality and a theme that ties together like a perfect puzzle.”
    – Taylor on “New Heights”

    When Creativity Meets

    While on tour, she’s capturing the sparkle of being a superstar on canvas. The brand‑new album, set to drop on October 3, 2025, is expected to dig deep into the trials of fame. Think of “Clara Bow” from The Tortured Poets Department—if that was a hint, the next chapter will be even richer.

    Folklore‑Vibes: Classic Storytelling Meets Modern Pop

    Taylor is promising a flavor of that mid‑Year 2020 surprise album, the beloved “folklore”—character stories that sing in the head. If she brings that narrative core to her newest release, we’re in for a lyrical treat.

    • Staying on top of her music isn’t a mystery.
    • Her creative freedom shines through.
    • The new album promises quality over quantity.
    • Expect storytelling vibes with a modern twist.

    Like any true Swiftie, I’ll follow wherever she leads, ready to jump backstage into the next chapter of her musical saga. Let’s see if the next six months will bring something unexpected and delightful—something that lifts the curtain stages, leaving us behind the curtain fresh and entertained.

    So, grab your popcorn, and keep your eyes peeled for “The Life of a Showgirl.” It’s almost ready to light up our rainy day playlists.

  • Iranian Palme d'Or winner Jafar Panahi calls for toppling of Tehran regime

    Iranian Palme d'Or winner Jafar Panahi calls for toppling of Tehran regime

    In a powerful message posted on Instagram, the Iranian filmmaker appealed for an end to the conflict between his country and Israel. While urging for an international trial against the Jewish state, Panahi also called for the fall of the Tehran regime.

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    After winning Palme d’Or at Cannes for his stunning thriller It Was Just An Accident, one of Iran’s most celebrated filmmakers Jafar Panahi has called for the fall of the Tehran regime, against the backdrop of escalating conflict between Israel and Iran.  
    Panahi posted a powerful message on Instagram that appears to push for the toppling of Iran’s Supreme Leader Ayatollah Ali Khamenei.  

    In his impassioned appeal, Panahi urges the United Nations and the international community to “immediately and decisively compel both regimes to cease their military attacks and end the killing of civilians.” 
    The filmmaker, whose current whereabouts remain unknown, goes further: “The only possible way to escape is the immediate dissolution of this system and the establishment of a people’s responsive and democratic government.”  

    Israel has violated the integrity of the country and should be tried as a wartime aggressors before an international tribunal. This position in no way means that we should ignore four decades of mismanagement, corruption, oppression, tyranny and incompetence on the part of the Islamic Republic.

    Jafar Panahi

    Voir cette publication sur Instagram Une publication partagée par official jafar panahi (@jafar.panahi)

    While strongly condemning the Israeli aggression, Jafar Panahi takes aim at the Islamic Republic: “An attack against my homeland, Iran, is unacceptable. Israel has violated the integrity of the country and should be tried as a wartime aggressors before an international tribunal. This position in no way means that we should ignore four decades of mismanagement, corruption, oppression, tyranny and incompetence on the part of the Islamic Republic.” 

    He concludes by saying: “This government has neither the power, will, nor legitimacy required to run the country or manage crises. Staying in this regime means the continued fall and the continuation of the repression.” Jafar Panahi winning the Palme d'Or in CannesJafar Panahi winning the Palme d’Or in Cannes
    AP Photo

    The 64-year-old dissident director has been imprisoned twice in Iran and banned from filmmaking for his anti-regime stance and “propaganda against the state”. He spent seven months behind bars in 2022 and 2023 for demonstrating against the imprisonment of his friend and fellow filmmaker Mohammad Rasoulof.  
    Panahi has continued to make films in defiance of the repressive authorities and is best known for films like This Is Not a Film, No Bears and Taxi Tehran, which won the Golden Bear at the Berlin Film Festival in 2015.  

    After winning the Palme d’Or on 24 May, Panahi returned to Iran, despite the threats against him. As he left the airport, he was greeted by supporters. One person was heard shouting “woman, life, freedom” as Panahi passed through the airport – a phrase that became the slogan for protests that broke out across Iran following the death of 22-year-old Mahsa Amini in police custody in 2022. It Was Just an AccidentIt Was Just an Accident
    Les Films Pelléa

    Panahi recently travelled to Australia where he won the Sydney Film Festival’s top prize on Sunday for It Was Just An Accident. The Palme d’Or winning film, which was inspired by his time in Iranian prison, focuses on a group of former political prisoners who kidnap the man they believe to be their former torturer.  
    In our review of It Was Just An Accident, we said: “Panahi signs a taut, gripping and utterly engrossing thriller that doubles as an indictment of the Islamist Republic and calls out the sins of state despotism. (…) Not only is it a richly deserved Palme d’Or, the last scene will make your jaw drop to the floor.” 
    Check out our full Culture Catch-Up on Jafar Panahi and the politics of Iranian film.  
    It Was Just An Accident will be released in France on 1 October. Mubi has acquired distribution rights to the film in the UK, Ireland, Germany and Austria, and Neon has bought the rights for North America. Release dates in these territories are TBD.  

  • Portuguese artists launch European movement for more regulation of artificial Intelligence

    Portuguese artists launch European movement for more regulation of artificial Intelligence

    Almost 20 Portuguese artists have joined the international #StayTrueToTheAct movement demanding that the European Union regulate Artificial Intelligence and protect copyright.

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    Stay true to culture. This is the challenge set by a new international initiative which unites around 30 European musicians demanding the regulation of Artificial Intelligence and the protection of copyright.
    The campaign, entitled #StayTrueToTheAct, includes 17 Portuguese artists and seeks to sensitise European policymakers “to the urgency of ensuring that AI systems respect intellectual property rules”.

    The movement is based on the creation and dissemination of video messages by musicians from all over Europe, who are calling on the European Commission to legislate to hold AI companies accountable for the way they use copyrighted material to train their models.
    These artists argue that the “European Union must guarantee an ecosystem where technological innovation and the creative market can thrive in balance”.

    View this post on Instagram A post shared by IFPI (@ifpi_org)

    Among the signatories of the movement are names such as Calema, Dino d’Santiago, Diogo Piçarra and Pedro Abrunhosa, who filmed videos justifying the need to protect artists in the face of the unbridled development of this technology.
    “The creative act is perhaps the most human of acts. It is based on experience, touch, closeness, intuition, fear, all emotions, all feelings, but above all it is a salvation from the blackness, the hell that life often imposes,” explains Pedro Abrunhosa.

    “A generative artificial intelligence is not allowed to vampirise these emotions and mimic, to parrot an amalgam of deep human feelings and make them its own, as if it created them itself. I do not authorise my music, my image, to be used to train the parrot of generative artificial intelligence and I therefore call on the European Commission to respect human dignity and culture and to enforce the artificial intelligence act, which has already been consensually approved,” he explains in the published video.
    The movement is supported by artists from different European countries. Alejandro Sanz is one of the Spanish artists taking part in the campaign which is geared towards calls for transparency and consent.

    View this post on Instagram A post shared by IFPI (@ifpi_org)

    Artists fear weakening of European AI law

    In June 2024, the European Union adopted the world’s first rules on artificial intelligence, which set out various transparency requirements for generative Artificial Intelligence, including the disclosure of the content used to train the respective models.

    However, they explain that the bloc is now working to put the law into practice, running the risk of “watering down the legislation by not holding AI companies accountable”.

    Related

    Meta won’t sign EU’s AI Code, but who will?

    The European artists’ appeal is for the European Commission to stick to the law originally passed and defend their rights.
    The current campaign was launched by Ipfi – the International Federation of the Phonographic Industry, with which the Portuguese copyright association Audiogest has joined.
    The movement is still open to all European artists who wish to join and thus give voice to this cause.