Tag: original

  • Many small businesses forget about the importance of owning their businessname.com

    Many small businesses forget about the importance of owning their businessname.com

    “What is in a name? That which we call a rose, by any other name would smell as sweet.” – It’s clear William Shakespeare didn’t live in the information age and have to go through the trials and tribulations of naming his own business! Many businesses mistakenly think that registering their name at Companies House – a task in itself – is the first step to setting up their business, only to find that they do not own the domain name for their company.

    This explains the plethora of small businesses with tricky domains, covered in-extra–hyphens and registered as .net or .me when the business really wanted a .com or .co.uk domain name.

    It’s not just entrepreneurs starting out that make these domain name mistakes. In 2003, Microsoft made the mistake of forgetting to renew its Hotmail.co.uk domain name despite being warned numerous times that its Web mail service was about to be brought onto the open market once again

    Although Microsoft failed to catch their mistake in time, a kind citizen scooped up the domain in order to keep it out of the hands of cybersquatters and return it to the company in one piece.

    Microsoft have also previously failed to renew Passport.com which then shut down their Hotmail service only to be bought by Michael Chaney, and also returned to its original owner. If it were not for these kind citizens, Microsoft might have been in some serious trouble as they were already known for these products and likely would have had to spend a lot of money in order to get them back.

    Another example is Apple, who unlike Microsoft does not seem to have the good-natured relationships with its users, where kind-hearted people have bought a domain once they noticed Apple had forgotten to purchase it. Instead Apple has a long history of suing others in order to snatch up domains for products already out in the market or in the process of development.

    In 2000, Benjamin Cohen (of Channel 4 news fame) registered itunes.co.uk only to be threatened by both Nominet and Apple into relinquishing his domain to the hands of one of the world’s most prosperous companies.

    Apple had forgotten to register its .co.uk domain until well after Mr. Cohen bought the space, with the battle ending up in court. As Apple have hundreds of lawsuits in their past, one would think there is a full-time job somewhere in the depths of the company simply registering all variations of their product names. At least there should be.

    Today’s small business owner can easily learn from these big tribulations, taking steps to protect their online brand and in turn their company’s livelihood. It is down to the small business owner to make sure their domain name will not be taken over by users who will only use the name to redirect traffic to completely unrelated, and sometimes unscrupulous, websites.

    Registering your domain name is an easy process as companies such as Names.co.uk allow you to search for a domain across all variants; .com, .co.uk, .net, and .eu to name just a few. There are some steps to keep in mind that will make life easier when registering a business domain name.

    Your website – We recommend to all our customers that you own your domain first – before you register with Companies house as it is extremely important to have a domain that is relevant to the company name itself. You want your domain name to be short and simple so it can be easily remembered by users.

    Set up your business – Give your business a unique trading name that can be registered with Companies House. Your accountant may well register the company name for you which can help take away any unneeded worry.

    Cover your bases – Register your company name early and across all extensions, that way you stay relevant to your market now and in the foreseeable future. It is a rude awakening when you build up your business only to discover cybersquatters camping out on your good name.

    Social – Your company’s facebook and twitter account (@yourcompany) is incredibly important these days as it is one of the simplest ways of directly communicating with your customers in a personal and easy way. Likewise it can be used as a great (free) marketing tool! Make sure you get these early on – unlike @natwest who failed to own their twitter account last week.

    Update – Update your website content regularly to keep customers engaged. Give your company a blog page and write articles, inform them of new products and give them reasons to come back.

    What has become a very common problem new business owners are experiencing due to the market flush with entrepreneurs and startups, registering a company’s domain under the original name hoped for is a challenge that needs to be considered right from the start. New business owners have to be creative and quick when registering, otherwise they have to begin the whole process again.

    Because of this, it is wise to protect your company’s name from the beginning and invest in both the domain name as well as the Twitter account. You cannot rely on strangers to notice your mistake and inform you about it, so why leave anything to chance?

    Entrepreneurs and small businesses should start with your web address, then register with Companies House – owning your online property could be key to the success of your small business online.

    Like many opportunities in business, it’s all about getting there first before someone else does!


  • Why is an Amazon-backed AI startup making Orson Welles fan fiction?

    Why is an Amazon-backed AI startup making Orson Welles fan fiction?

    On Friday, a startup called Fable announced an ambitious, if head-scratching, plan to re-create the lost 43 minutes of Orson Welles’ classic film “The Magnificent Ambersons.” 

    Why is a startup that bills itself as the “Netflix of AI,” and that recently raised money from Amazon’s Alexa Fund, talking about remaking a movie that was first released in 1942? 

    Well, the company has built a platform that allows users to create their own cartoons with AI prompts — Fable is starting out with its own intellectual property, but it has ambitions to offer similar capabilities with Hollywood IP. In fact, it’s already been used to create unauthorized “South Park” episodes.

    Now Fable is launching a new AI model that can supposedly generate long, complex narratives. Over the next two years, filmmaker Brian Rose — who has already spent five years working to digitally reconstruct Welles’ original vision — plans to use that model to remake the lost footage from “The Magnificent Ambersons.”

    Remarkably, Fable has not obtained the rights to the film, making this a prospective tech demo that will probably never be released to the general public.

    Why “Ambersons”? If you’re not a Welles-loving cinephile, I’m guessing it sounds like an obscure choice for digital resurrection.

    Even among classic movie buffs, Welles’ second film is overshadowed by its older, more famous sibling. While “Citizen Kane” is often called the greatest movie ever made, “Ambersons” is remembered as a lost masterpiece that the studio took out of the director’s hands, dramatically cutting it down and adding an unconvincing happy ending.

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    The movie’s reputation — the sense of loss and what could have been — is presumably what interested Fable and Rose. But it’s worth emphasizing that the only reason we care about “The Magnificent Ambersons” today is because of Welles — because of how it derailed his Hollywood career, and how even in its diminished form, it still reveals so much of his filmmaking genius.

    That makes it even more astonishing that Fable apparently failed to reach out to Welles’ estate. David Reeder, who handles the estate for Welles’ daughter Beatrice, described the project to Variety as an “attempt to generate publicity on the back of Welles’ creative genius” and said that it will amount to nothing more than “a purely mechanical exercise without any of the uniquely innovative thinking [of] a creative force like Welles.”

    Despite Reeder’s criticism, he seems less upset by the idea of attempting to re-create “Ambersons” and more by the fact that the estate was not “even given the courtesy of a heads up.” After all, he noted, “the estate has embraced AI technology to create a voice model intended to be used for VO work with brands.”

    I’m not so open-minded. Even if Welles’ heirs were being consulted and compensated, I’d have zero interest in this new “Ambersons,” just as I have zero interest in hearing a digital simulacrum of Welles’ legendary voice being used to hawk new products.

    Now, Welles fans know this isn’t the first time other filmmakers have tried to posthumously fix or finish his movies. But at least those attempts used footage that Welles had shot himself. Fable, meanwhile, describes its planned approach as a hybrid of AI and traditional filmmaking — apparently some scenes will be reshot with contemporary actors whose faces will then be swapped for digital re-creations of the original cast.

    Despite the absurdity of announcing a project like this without the film rights or the blessing of Welles’ daughter, at least Rose seems motivated by a genuine desire to honor Welles’ vision. For example, in a statement about why he wants to re-create the film, Rose mourned the destruction of “a four-minute-long, unbroken moving camera shot whose loss is a tragedy,” with only 50 seconds of the shot remaining in the recut film.

    I share his sense of loss — but I also believe this is a tragedy that AI cannot undo.

    No matter how convincingly Fable and Rose may be able to stitch together their own version of that tracking shot, it will be their shot, not Welles’, filled with Frankensteined replicas of Joseph Cotten and Agnes Moorehead, not the actors themselves. Their final product will not be Welles’ version of “The Magnificent Ambersons” that RKO destroyed more than 80 years ago. Barring a miraculous rediscovery of lost footage, that version is gone forever.

  • Spotify is finally launching support for lossless music streaming

    Spotify is finally launching support for lossless music streaming

    Spotify is finally launching high-quality, lossless music streaming support for premium account holders after years of waiting.

    The company first talked about a hi-fi tier in 2021 — which would offer CD-quality audio — but the plan faced multiple delays, partially due to licensing issues. Last year, CEO Daniel Ek said that the company was in the “early days” of launching lossless streaming support.

    Over the past few years, reports and code hints in the app suggested that the company was planning to introduce a more expensive tier for lossless music as well.

    Now the company is finally releasing support for up to 24-bit/44.1 kHz FLAC quality streaming — a format that preserves the original audio quality without compression — for paid users.

    The company said lossless streaming will be rolling out to users in over 50 countries through October. It added that subscribers in Australia, Austria, Czechia, Denmark, Germany, Japan, New Zealand, the Netherlands, Portugal, Sweden, the U.S., and the U.K. are already getting access.

    Users will get a notification on their app when they get access to lossless streaming. You can enable the feature from Settings and Privacy > Media Quality > and selecting “Lossless” quality for streaming on Wi-Fi, cellular data, and downloads.

    The company said that the feature is available across devices, but you have to manually enable it for each device. That means the setting doesn’t apply to all the devices you use with your Spotify account automatically.

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    As files with lossless streaming are larger, you will be able to keep track of how much data you have used for streaming. While you can stream lossless quality tracks over Wi-Fi, this is not possible for Bluetooth-connected devices due to bandwidth limitations.

    You can use Spotify Connect to connect to devices from companies like Bose, Yamaha, and Bluesound to stream the music over Wi-Fi. Notably, Apple has also previously complained about Bluetooth’s bandwidth restrictions for streaming high-quality music.

    Spotify is late to deliver on its promises of making lossless music available to users. Rivals like Apple Music rolled it out in 2021, and Amazon Music made its lossless streaming free after launching a paid HD tier in 2019. Spotify said that this launch covers “nearly every track” in its 100-million-song library, so there might be some tracks without lossless support.

  • Apple's blood oxygen monitoring returns to its latest Apple Watches

    Apple announced on Thursday it’s introducing a redesigned Blood Oxygen feature for some Watch Series 8, Series 10, and Apple Watch Ultra. With this move, Apple is bringing back blood oxygen monitoring by tweaking the feature to get around the International Trade Commission’s (ITC) import ban.

    Blood oxygen data will be measured and calculated on the user’s paired iPhone, and results can be viewed in the Respiratory section of the Health app. This means users won’t be able to view the data on their Apple Watch, as they’ll need to do so on their iPhone.

    Apple says the update announced today is enabled by a recent U.S. Customs ruling, which means that the tech giant is allowed to import Apple Watches with the redesigned Blood Oxygen feature.

    The change doesn’t affect previously sold models with the original version of the feature or units bought outside the U.S.

    The redesigned feature only applies to Apple Watches that were sold after the ITC import ban took effect in early 2024. These users can access the redesigned Blood Oxygen feature through an iPhone and Apple Watch software update coming on Thursday.

    The move comes as Apple has been in an ongoing legal dispute with medical device maker Masimo, which has accused the tech giant of stealing its pulse oximetry technology after initial talks about a potential collaboration.

    In 2023, Masimo secured a victory against Apple at the ITC to block imports of Apple Watches with blood oxygen monitoring, after the commission found that Apple’s technology infringed upon Masimo’s patents. Apple then had to remove the feature.

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    Apple counter-sued Masimo, claiming that the company copied Apple Watch features to use in its own smartwatches. The tech giant has also filed an appeal of the ITC ban.

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  • Tomorrowland Festival Rekindles as Massive Fire Rips Through Belgium\’s Main Stage

    Festival Gets Its First Beats While the Crew Wins the Argument Over Debris

    On Friday, the sparks of the first music sets flared amidst a scene straight out of a Saturday‑morning garage‑band video. The crowd cheered—well, as much as a crate of leftover wooden planks allowed—while the workers pushed harder than a caffeine‑filled drummer in full swing.

    • Scrubbing & Smoothing: The crew cleared out yesterday’s leftover junk faster than a line at a coffee shop during the weekend rush.
    • Stage 2.0: They rebuilt the main stage—think of it as a leaner, meaner version of the original beast, but with equal excitement.
    • All‑Night Pining: They worked around the clock, packing their sweat into the mix, turning a chaotic site into a sound‑stage-ready playground.

    And there you have it: the festival began with a perfect blend of hard work and harmony, proving that good music—and a great crew—can turn any pile of debris into a dancefloor dream.

    Tomorrowland Fires Up the Night—But the Show is Back on Stage

    When the Main Stage Goes Boom, the Crew Goes Boomin

    Just two days after a massive blaze turned the main stage into a fire‑crazed ruin, Belgium’s Tomorrowland kicked off in full swing on Friday.

    The wildfire, which erupted on Wednesday evening, left the elaborate backdrop charred and the organizers left scrambling to keep the festival alive.

    Thanks to a relentless, round‑the‑clock effort, the crew erected a new, stripped‑down stage at breakneck speed—just in time for the opening act.

    Meet the Rockstars Who Turned the Fiasco into a Flare of Success

    • Nervo — the Aussie electronica duo screamed “We made it!” as they launched into the set from the replacement stage.
    • Behind them, eerily, you could still see the remnants of the original, char‑covered framework.

    No injuries were reported, but the cause of the blaze remains under investigation. Flashy fireworks, faulty wiring, a rogue extension cord—any of those, or something no one guessed.

    One Night of Resilience

    Picture a bunch of sound techs, stage hand crews, and volunteers locking arms at midnight, turning a potential disaster into a triumphant comeback. By the time the crowd heard the first beat, the stage was ready, the lights were blazing, and the festival was back on track.

    Even after a fire, Tomorrowland put the “boom” back in the word—though this time it was more of a “boom‑through” than a catastrophic outburst.

    The burned main stage is seen as people listen to DJs Odymel and Pegassi performing at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025.

    Tickling the Stage: A Blaze Turns Tomorrowland Into a Cozy Indoor Party

    The heart‑and‑soul of Tomorrowland took an unintended detour when the main stage was snatched by a fierce blaze. But attendees were quick to recognize that once the flames kissed the hard surface, the fiesta was still alive—just in a dimmer, more intimate setting.

    Causative Drama: DJs Odymel & Pegassi Stay Hot

    While the flames danced across the stage, DJs Odymel and Pegassi turned up the heat on the decks. Tourists from around the globe were treated to a brand‑new mishmash of environment and sound, a perfect blend for the fire‑proof premiere.

    Tomorrowland’s Inside Scoop

    • New Stage Vibes: Debby Wilmsen, the festival’s spokesperson, described the replacement stage as “very intimate.” She mentioned the speakers were the same ones used for Metallica’s breathtaking sets, giving a raw edge to the music.
    • Attendance Numbers: The numbers remain solid—hundreds of thousands of party‑goers gathered in the Belgian town of Boom. On Friday alone, about 38,000 campers were sprawled across the festival grounds.
    • Refund Drama: A few people have floated the idea of a refund, but Wilmsen assures it’s a tiny fraction of the overall crowd. Most folks are still buzzing to hit the festival.
    • Unity & Vibe: “It’s all about unity, and I think with a good vibe and positive energy that our festival-goers give each other and the music we offer, we’ll still have a fantastic time.” She closed with a reassuring note that they’ve tried their best.

    Global Snackers: A Tale of Aussie Fans

    Australian friends Zak Hiscock and Brooke Antoniou had hopped halfway across the planet for a European summer escapade. Their ears, ears, ears – they were still thrilled when they heard about the fire. The energy and resilience of Tomorrowland kept their spirits soaring.

    Bottom Line: Though the main stage was on fire, the festival remained a pure, upbeat explosion of music and unity—99% of fans were still in the groove.

    A woman holds a placard as DJs Odymel and Pegassi perform at the Tomorrowland music festival in Boom, Belgium, Friday, July 18, 2025.

    Boom, Belgium—July 18, 2025: The Stage Nearly Took a Blazing Turn

    AP Photo/Omar Havana

    Single Beat, Double Burn

    At the iconic Tomorrowland stage, DJs Odymel and Pegassi were delivering a feel‑good groove when suddenly the lights fizzed out and the venue caught fire. “We were just eating dinner when the news hit us—stage on fire,” lamented Hiscock. “We’ve travelled a long way, so it was heartbreaking, like a dream blown away.”

    Festival Fervor (and a Few Doused Firecrackers)

    A Ukrainian fan, Oleksandr Beshkynskyi, shared a moment of relief: “It’s not just about shopping for a particular DJ; it’s about the entire vibe, the shared dream that keeps the crowd alive.”

    Tomorrowland’s Pulse

    • Largest electronic music festival worldwide.
    • Weekend crowd projected at ~400,000 party‑goers.
    • Committed to keeping the music—and the energy—thumping.

    Takeaway

    Even when the lights go out, the soul of Tomorrowland is still alive—no matter how many heads burn in the mix.